Explore Chadwick Ezra Jr.’s Studio Gear
Discover the professional instruments and equipment that fuel Chadwick Ezra Jr.’s creative process, showcasing the tools behind his music, drum covers, and production work.
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Chadwick Ezra Jr.’s Studio Gear
🎧 Studio & Live Gear — Chadwick Ezra Jr.
DAW & Recording
- DAW: Reaper
- Audio Interface: Behringer UMC404HD
- Microphones:
- Behringer Ultravoice XM8500
- Generic Church Mics
- In-Ear Monitors: Shure SE425
- Headphones: Alesis (came with electric kit)
- Drum Mics: Nady DM-80 set
- Laptop: Dell Inspiron Desktop (Intel Core i5, 2nd Gen)
🎸 Guitars & Basses
- Rogue Dreadnought RA-110D-CEBK (Acoustic-Electric)
- Rogue Dreadnought RA-090SN (Acoustic)
- Epiphone Les Paul Model (Electric)
- Ibanez GIO (Electric)
- Squier Jazz Bass
Amps & Pedals
- Orange Crush 20 (Guitar Amp)
- Fender Rumble 15 (Bass Amp)
- Digitech RP-70 Multi-Effects Pedal
🎹 Keyboard
- Casio CTK-3500
🥁 Drums & Percussion
- Hybrid Drum Kit (mix of PDP, Rogue, Yamaha, and Vex components)
- 10” Yamaha Stage Custom (Tom)
- 13” Rogue Tom
- 14” Rogue Floor Tom (Black)
- 16” Vex Floor Tom
- Vex Snare & Bass Drum
- Stands & Hardware:
- PDP Double Bass Pedal
- PDP 2-Leg Hi-Hat Stand
- PDP Cymbal Stands
- Pearl Snare Stand
- Gibraltar Drum Throne (Motorcycle Style)
- PDP Double Tom Stand
Drum Heads:
- Remo Pinstripe (Toms)
- Remo Controlled Sound Coated (Snare)
- Remo Powerstroke P3 Clear 22” (Bass Drum)
🥁 Cymbals
(“Mutt kit” style – mixed brands for unique tone variety)
- 13” Zildjian ZXTs Hi-Hats
- 14” Zildjian ZBT Crash
- 14” Meinl HCS Hi-Hats (right-side setup with extended clutch + mini cymbal ring)
- 14” Sabian AAX Fast Crash (favorite)
- 16” Sabian HHX Concept Crash (chipped—repurposed as China)
- 16” Paiste 101 Brass Crash with 10” Meinl HCS stacked on top
- 10” Meinl HCS Splash
- LP Plastic Block
🎛️ Accessories
- Evans RealFeel Drum Pad
- Vic Firth Stick Caddy
- Vic Firth 5A / 5B Drumsticks
- Rocket Stage Guitar & Bass Rack
- Samson Bass Drum Mic Stand
💬 Notes
My kit is a total hybrid—built piece by piece from what I could afford and find. It’s not about looks for me; it’s about making it work and creating music that feels real. I love Sabians the most, but I use whatever gives me the right sound at the right time.
